The Cinematography Of Yasujiro Ozu's 'Floating Weeds'
Art House: Yasujiro Ozu's Late Spring is the purest distillation of his style | South China Morning Post
Japanese Modernism Across Media | Ozu's Cinematic Style · Female Characters in Ozu Yasujirō's Films
Re-examining Yasujiro Ozu on film | The Japan Times
Ozu: The masterpieces you've missed | Roger Ebert | Roger Ebert
The Film Sufi: “Tokyo Story” - Yasujiro Ozu (1953)
Where to Start with Yasujirō Ozu | The Film Magazine
The Film Sufi: “Equinox Flower” - Yasujiro Ozu (1958)
The Signature Style of Yasujiro Ozu | Current | The Criterion Collection
Iconography of Yasujiro Ozu' | The Japan Times
5 Essential Films By Yasujirō Ozu – IndieWire
Painting the Same Rose: An Exploration into the Cinematic Style of Yasujiro Ozu
Vol.82 – Learning Lighting Design from Cinematography Part 2 “Tokyo Story” | Lighting Detectives
The Ozu Shot: Tokyo-ga and Late Spring | Current | The Criterion Collection
How Yasujiro Ozu Redefined Modern Cinema<br/> — sabukaru
Yasujirō Ozu, a Master of Cinema, Is Worth Celebrating Once Again | Vogue
Tokyo Story - Wikipedia
CLOSE-UP | Close-Up on Yasujirō Ozu
On Yasujiro Ozu
Yasujiro Ozu: like Austen, he tells the same satisfying story again and again | Movies | The Guardian
Tokyo Story | SBIFF
Diego Pernía on Twitter: "Tokyo Story. Directed by Yasujiro Ozu. 1953. An unforgettable masterpiece. It simple but meaningful plot it's told with such delicate stillness and discretion, yet the emotion gets under
Good Morning (1959) - Yasujiro Ozu (Ozu-san.com)
18点のYasujiro Ozuのストックフォト - Getty Images
Why Yasujirō Ozu's Films Are Still Relevant Today | Cinema Escapist
